Conan The Barbarian - Italian Movie Poster: (Size: 28'' x 40'')

• Poster
• Size: 28" x 40"
• Ships in sturdy cardboard tube

WHEN HIS PARENTS ARE SAVAGELY MURDERED, CONAN IS CAPTURED AS A CHILD AND AFTER FIFTEEN YEARS OF AGONY, FORGES A MAGNIFICENT BODY AND INDOMITABLE SPIRIT. ONCE FREE, HE EMBARKS UPON A QUEST FOR ULTIMATE POWER TO SLAY THE EVIL ARCH-VILLAIN THAT ENSLAVED HIM. FEATURES: SPECIAL EFFECTS AND MUCH MORE.Conan the Barbarian, the movie that turned Arnold Schwarzenegger into a global superstar, is a prime example of a match made in heaven. It's the movie that macho maverick writer-director John Milius was born to make, and Arnold was genetically engineered for his role as the muscle-bound, angst-ridden hero created in Robert E. Howard's pulp novels. Oliver Stone contributed to Milius's screenplay, and the production design by comic artist Ron Cobb represents a perfect cinematic realization of Howard's fantasy world. To avenge th! e murder of his parents, Conan tracks down the evil Thulsa Doom (James Earl Jones) with the help of Queen Valeria (played by buff B-movie vixen Sandahl Bergman) and Subotai the Mongol (Gerry Lopez). Aptly described by critic Roger Ebert as "the perfect fantasy for the alienated pre-adolescent," this blockbuster is just as enjoyable for adults who haven't lost their youthful imagination. --Jeff ShannonFollowing his parents' savage murder, young Conan (Arnold Schwarzenegger) is captured by the cold-blooded Thulsa Doom (James Earl Jones) and spends the next fifteen years in agony, first chained to the Wheel of Pain and then enslaved as a Pit Fighter. Rather than allowing this brutal fate to conquer him, Conan builds an incomparable body and an indomitable spiritâ€"both of which he needs when he suddenly finds himself a free man. Aided by his companions Subotai the Mongol (Gerry Lopez) and Valeria, Queen of Thieves (Sandahl Bergman), Conan sets out to solve the "riddle o! f steel," seize ultimate power and, finally, take revenge on t! he warlo rd who killed his family.CONTAINS: CONAN THE BARBARIAN: AND CONAN THE DESTROYER.Conan the Barbarian [DVD] (1982) Arnold Schwarzenegger; James Earl JonesConan the Barbarian, the movie that turned Arnold Schwarzenegger into a global superstar, is a prime example of a match made in heaven. It's the movie that macho maverick writer-director John Milius was born to make, and Arnold was genetically engineered for his role as the muscle-bound, angst-ridden hero created in Robert E. Howard's pulp novels. Oliver Stone contributed to Milius's screenplay, and the production design by comic artist Ron Cobb represents a perfect cinematic realization of Howard's fantasy world. To avenge the murder of his parents, Conan tracks down the evil Thulsa Doom (James Earl Jones) with the help of Queen Valeria (played by buff B-movie vixen Sandahl Bergman) and Subotai the Mongol (Gerry Lopez). Aptly described by critic Roger Ebert as "the perfect fantasy for the alienated pre-adolescent," th! is blockbuster is just as enjoyable for adults who haven't lost their youthful imagination. --Jeff ShannonConan the Barbarian, the movie that turned Arnold Schwarzenegger into a global superstar, is a prime example of a match made in heaven. It's the movie that macho maverick writer-director John Milius was born to make, and Arnold was genetically engineered for his role as the muscle-bound, angst-ridden hero created in Robert E. Howard's pulp novels. Oliver Stone contributed to Milius's screenplay, and the production design by comic artist Ron Cobb represents a perfect cinematic realization of Howard's fantasy world. To avenge the murder of his parents, Conan tracks down the evil Thulsa Doom (James Earl Jones) with the help of Queen Valeria (played by buff B-movie vixen Sandahl Bergman) and Subotai the Mongol (Gerry Lopez). Aptly described by critic Roger Ebert as "the perfect fantasy for the alienated pre-adolescent," this blockbuster is just as enjoyable fo! r adults who haven't lost their youthful imagination. --Jef! f Shanno n This item is in new and mint condition. It has never been hung, used or displayed.

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Beautiful Boy: A Father's Journey Through His Son's Addiction

• ISBN13: 9780547203881
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

What had happened to my beautiful boy? To our family? What did I do wrong? Those are the wrenching questions that haunted every moment of David Sheff’s journey through his son Nic’s addiction to drugs and tentative steps toward recovery. Before Nic Sheff became addicted to crystal meth, he was a charming boy, joyous and funny, a varsity athlete and honor student adored by his two younger siblings. After meth, he was a trembling wraith who lied, stole, and lived on the streets. David Sheff traces the first subtle warning signs: the denial, the 3 A.M. phone calls (is it Nic? the police? the hospital?), the rehabs. His preoccupation with Nic became an addiction in itself, and the obsessive worry ! and stress took a tremendous toll. But as a journalist, he instinctively researched every avenue of treatment that might save his son and refused to give up on Nic.
Beautiful Boy is a fiercely candid memoir that brings immediacy to the emotional rollercoaster of loving a child who seems beyond help.

Amazon Best of the Month, February 2008: From as early as grade school, the world seemed to be on Nic Sheff's string. Bright and athletic, he excelled in any setting and appeared destined for greatness. Yet as childhood exuberance faded into teenage angst, the precocious boy found himself going down a much different path. Seduced by the illicit world of drugs and alcohol, he quickly found himself caught in the clutches of addiction. Beautiful Boy is Nic's story, but from the perspective of his father, David. Achingly honest, it chronicles the betrayal, pain, and terrifying question marks that haunt the loved ones of an addict. Many respond to addict! ion with a painful oath of silence, but David Sheff opens up p! ersonal wounds to reinforce that it is a disease, and must be treated as such. Most importantly, his journey provides those in similar situations with a commodity that they can never lose: hope --Dave Callanan

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God Bless the Child

• Single mother, Theresa Johnson, becomes homeless, loses her job and tries to survive with her young daughter, Hillary, through charities and public shelters. Format: DVD MOVIE Genre: DRAMA Rating: PG-13 Age: 692865282334 UPC: 692865282334 Manufacturer No: E-50164

No Description Available.
Genre: Feature Film-Drama
Rating: R
Release Date: 8-AUG-2006
Media Type: DVDJADE/BLESS THE CHILD - DVD Movie

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GOD BLESS THE CHILD - DVD Movie

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Fisher Science Education Histology Microscopic Slide: Spleen, Sec.; H and E Stain; Human

• Slides sets are prepared using quality materials and glass slides with finely-ground edges
• Slide preparation involves several steps, which can vary according to specimen type and the stain procedure that ensures the best quality
• Strict quality control is performed is after each step to make certain that the final product is of the finest quality

It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished even his most virulent accuser.

Coleman Silk has a secret, one which has been kept for fifty years from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman. ! It is Zuckerman who stumbles upon Silk's secret and sets out to reconstruct the unknown biography of this eminent, upright man, esteemed as an educator for nearly all his life, and to understand how this ingeniously contrived life came unraveled. And to understand also how Silk's astonishing private history is, in the words of The Wall Street Journal, "magnificently" interwoven with "the larger public history of modern America."Athena College was snoozing complacently in the Berkshires until Coleman Silk--formerly "Silky Silk," undefeated welterweight pro boxer--strode in and shook the place awake. This faculty dean sacked the deadwood, made lots of hot new hires, including Yale-spawned literary-theory wunderkind Delphine Roux, and pissed off so many people for so many decades that now, in 1998, they've all turned on him. Silk's character assassination is partly owing to what the novel's narrator, Nathan Zuckerman, calls "the Devil of the Little Plac! e--the gossip, the jealousy, the acrimony, the boredom, the l! ies."

But shocking, intensely dramatized events precipitate Silk's crisis. He remarks of two students who never showed up for class, "Do they exist or are they spooks?" They turn out to be black, and lodge a bogus charge of racism exploited by his enemies. Then, at 71, Viagra catapults Silk into "the perpetual state of emergency that is sexual intoxication," and he ignites an affair with an illiterate janitor, Faunia Farley, 34. She's got a sharp sensibility, "the laugh of a barmaid who keeps a baseball bat at her feet in case of trouble," and a melancholy voluptuousness. "I'm back in the tornado," Silk exults. His campus persecutors burn him for it--and his main betrayer is Delphine Roux.

In a short space, it's tough to convey the gale-force quality of Silk's rants, or the odd effect of Zuckerman's narration, alternately retrospective and torrentially in the moment. The flashbacks to Silk's youth in New Jersey are just as important as his turbulent forced r! etirement, because it turns out that for his entire adult life, Silk has been covering up the fact that he is a black man. (If this seems implausible, consider that the famous New York Times book critic Anatole Broyard did the same thing.) Young Silk rejects both the racism that bars him from Woolworth's counter and the Negro solidarity of Howard University. "Neither the they of Woolworth's nor the we of Howard" is for Coleman Silk. "Instead the raw I with all its agility. Self-discovery--that was the punch to the labonz.... Self-knowledge but concealed. What is as powerful as that?"

Silk's contradictions power a great Philip Roth novel, but he's not the only character who packs a punch. Faunia, brutally abused by her Vietnam vet husband (a sketchy guy who seems to have wandered in from a lesser Russell Banks novel), scarred by the death of her kids, is one of Roth's best female characters ever. The self-serving Delphine Roux ! is intriguingly (and convincingly) nutty, and any number of m! inor cha racters pop in, mouth off, kick ass, and vanish, leaving a vivid sense of human passion and perversity behind. You might call it a stain. --Tim Appelo

It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about Silk would have astonished his most virulent accuser. Coleman Silk has a secret. But it's not the secret of his affair, at seventy-one, with Faunia Farley, a woman half his age with a savagely wrecked past - a part-time farmhand and a janitor at the college where, until recently, he was the powerful dean of faculty. And it's not the secret of Coleman's alleged racism, which provoked the college witch-hunt that cost him his job and, to his mind, killed his wife. Nor is it the secret of misogyny, despite the best efforts o! f his ambitious young colleague, Professor Delphine Roux, to expose him as a fiend. Coleman's secret has been kept for fifty years: from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman, who sets out to understand how this eminent, upright man, esteemed as an educator for nearly all his life, had fabricated his identity and how that cannily controlled life came unraveled. Set in 1990s America, where conflicting moralities and ideological divisions are made manifest through public denunciation and rituals of purification, The Human Stain concludes Philip Roth's eloquent trilogy of postwar American lives that are as tragically determined by the nation's fate as by the "human stain" that so ineradicably marks human nature. This harrowing, deeply compassionate, and completely absorbing novel is a magnificent successor to his Vietnam-era novel, American Pastoral, and his McCarthy-era novel, I MARRIED A COMMUNIST.

Athena Colle! ge was snoozing complacently in the Berkshires until Coleman ! Silk--fo rmerly "Silky Silk," undefeated welterweight pro boxer--strode in and shook the place awake. This faculty dean sacked the deadwood, made lots of hot new hires, including Yale-spawned literary-theory wunderkind Delphine Roux, and pissed off so many people for so many decades that now, in 1998, they've all turned on him. Silk's character assassination is partly owing to what the novel's narrator, Nathan Zuckerman, calls "the Devil of the Little Place--the gossip, the jealousy, the acrimony, the boredom, the lies."

But shocking, intensely dramatized events precipitate Silk's crisis. He remarks of two students who never showed up for class, "Do they exist or are they spooks?" They turn out to be black, and lodge a bogus charge of racism exploited by his enemies. Then, at 71, Viagra catapults Silk into "the perpetual state of emergency that is sexual intoxication," and he ignites an affair with an illiterate janitor, Faunia Farley, 34. She's got a sharp sensibi! lity, "the laugh of a barmaid who keeps a baseball bat at her feet in case of trouble," and a melancholy voluptuousness. "I'm back in the tornado," Silk exults. His campus persecutors burn him for it--and his main betrayer is Delphine Roux.

In a short space, it's tough to convey the gale-force quality of Silk's rants, or the odd effect of Zuckerman's narration, alternately retrospective and torrentially in the moment. The flashbacks to Silk's youth in New Jersey are just as important as his turbulent forced retirement, because it turns out that for his entire adult life, Silk has been covering up the fact that he is a black man. (If this seems implausible, consider that the famous New York Times book critic Anatole Broyard did the same thing.) Young Silk rejects both the racism that bars him from Woolworth's counter and the Negro solidarity of Howard University. "Neither the they of Woolworth's nor the we of Howard" is for Coleman Silk. "Instead th! e raw I with all its agility. Self-discovery--that was the punch to the labonz.... Self-knowledge but concealed. What is as powerful as that?"

Silk's contradictions power a great Philip Roth novel, but he's not the only character who packs a punch. Faunia, brutally abused by her Vietnam vet husband (a sketchy guy who seems to have wandered in from a lesser Russell Banks novel), scarred by the death of her kids, is one of Roth's best female characters ever. The self-serving Delphine Roux is intriguingly (and convincingly) nutty, and any number of minor characters pop in, mouth off, kick ass, and vanish, leaving a vivid sense of human passion and perversity behind. You might call it a stain. --Tim Appelo

It is 1998, the year in which America is whipped into a frenzy of prurience by the impeachment of a president, and in a small New England town, an aging classics professor, Coleman Silk, is forced to retire when his colleagues decree that he is a racist. The charge is a lie, but the real truth about! Silk would have astonished his most virulent accuser. Coleman Silk has a secret. But it's not the secret of his affair, at seventy-one, with Faunia Farley, a woman half his age with a savagely wrecked past - a part-time farmhand and a janitor at the college where, until recently, he was the powerful dean of faculty. And it's not the secret of Coleman's alleged racism, which provoked the college witch-hunt that cost him his job and, to his mind, killed his wife. Nor is it the secret of misogyny, despite the best efforts of his ambitious young colleague, Professor Delphine Roux, to expose him as a fiend. Coleman's secret has been kept for fifty years: from his wife, his four children, his colleagues, and his friends, including the writer Nathan Zuckerman, who sets out to understand how this eminent, upright man, esteemed as an educator for nearly all his life, had fabricated his identity and how that cannily controlled life came unraveled. Set in 1990s America, where conflic! ting moralities and ideological divisions are made manifest th! rough pu blic denunciation and rituals of purification, The Human Stain concludes Philip Roth's eloquent trilogy of postwar American lives that are as tragically determined by the nation's fate as by the "human stain" that so ineradicably marks human nature. This harrowing, deeply compassionate, and completely absorbing novel is a magnificent successor to his Vietnam-era novel, American Pastoral, and his McCarthy-era novel, I MARRIED A COMMUNIST.

>

Nathan Zuckerman, Roth's favorite narrator, is at it again, and Bookclub-in-a-Box is right by his side. After you read this fascinating book, read the Bookclub-in-a-Box discussion guide and discover Roth's genius as a writer. If one is already a fan of Philip Roth, they will be thrilled with this discussion; if they are not yet a fan, they will become one with the help of Bookclub-in-a-Box.

Slide, Prepared Microscopic; Fisher Science Education; Lung Tuberculosis, sec. H/E stain HumanPrepared by skilled technic! ians using state-of-the-art equipment. Slides are made of highest quality materials, which provide the clearest image of the subject. On request, special slides to provide exact requirement for Biology labs are provided.

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The Chumscrubber Poster Movie UK 11x17

• Approx. Size: 11 x 17 Inches - 28cm x 44cm
• Size is provided by the manufacturer and may not be exact
• The Amazon image in this listing is a digital scan of the poster that you will receive
• The Chumscrubber 11 x 17 Inches UK Style A Mini Poster
• Packaged with care and shipped in sturdy reinforced packing material

Dean Stiffle (Jamie Bell) discovers the body of his best friend Troy and doesn t bother telling any of the parents in his postcard-perfect California neighborhood. He knows that these families prefer to go about their lives by ignoring reality entirely. But when this scandal hits home will they take notice or will they continue along their merry self-medicated way?Starring Glenn Close (The Stepford Wives) Ralph Fiennes (The Constant Gardener) Rita Wilson (Runaway Bride) Jamie Bell (Billy Elliot) and Justin Chatwin (War of the Worlds) The Chumscrubber brin! gs together an all-star cast and is being hailed as darkly comic it s got a great cast of familiar faces and the best of the best of tomorrow s talent. (Quint Aintitcoolnews.com).System Requirements:Running Time: 108 minutesFormat: DVD MOVIE Genre: COMEDY Rating: R UPC: 678149196726 Manufacturer No: 91967Please note that the content of this book primarily consists of articles available from Wikipedia or other free sources online. The Chumscrubber is a 2005 dark comedy film directed by Arie Posin and written by Posin and Zac Stanford, starring an ensemble cast. The film focuses on the lack of communication between teenagers and their parents, and the prevalence of prescription drugs in American society. The title of the film refers to a character that helps his friends to survive in a superficial world by keeping things authentic and is portrayed in form of a video game omnipresent in the teenagers' lives, in which a post-apocalyptic hero carries his severed head in hi! s hand as he fights the forces of evil. One day in the fiction! al town Hillside in Southern California, the supplier of prescription medication to the students at the local high school, Troy Johnson (Josh Janowicz), commits suicide. Troy's friend Dean Stifle (Jamie Bell), who found the body, is prescribed further antidepressants by his father Bill (William Fichtner), a psychiatrist. A guy holding his own head, a look from The Chumscrubber. Funny Tee, TShirt, Shirt. About our Dark T-Shirt: Look cool without breaking the bank. Our durable, high-quality, pre-shrunk 100% cotton t-shirt is what to wear when you want to go comfortably casual. Preshrunk, durable and guaranteed.5.6 oz. 100% cotton. Standard fit..The Chumscrubber reproduction Approx. Size: 11 x 17 Inches - 28cm x 44cm UK Style A mini poster print

Pop Culture Graphics, Inc is Amazon's largest source for movie and TV show memorabilia, posters and more: Offering tens of thousands of items to choose from. We also offer a full selection of framed posters..

Customer satisfa! ction is always guaranteed when you buy from Pop Culture Graphics,Inc

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Dracula - Dead and Loving It

• A comic reinvention of the Bela Lugosiic about a Transylvanian vampire who works his evil spell on a perplexed group of Londoners. Mel Brooks's Count is a pratfalling evil prince of a guy who believes in long relationships. Brooks portrays vampire hunter Van Helsing, who won't give a bloodsucker an even break.Running Time: 90 min. Format: DVD MOVIE Genre: COMEDY Rating: PG-13 Ag

A comic reinvention of the Bela Lugosi classic about a Transylvanian vampire who works his evil spell on a perplexed group of Londoners. Mel Brooks's Count is a pratfalling evil prince of a guy who believes in long relationships. Brooks portrays vampire hunter Van Helsing, who won't give a bloodsucker an even break.

DVD Features:
Audio Commentary:Commentary by director/co-writer Mel Brooks, co-stars Steven Weber and Amy Yasbeck, and co-writers Rudy De Luca and Steve Haberman
Theatrical Trail! er

In 1995, it was promising to hear that Mel Brooks was creating "the companion piece to Young Frankenstein." He had also brought in the heavyweight of deadpan--Leslie Nielsen. As Lt. Frank Drebin in the Police Squad movies, Nielsen has no peer for silly stuff--just the player Brooks would seem to need for a strong movie, as any fan of Brooks perpetually hopes a new film may rekindle his madcap magic. Alas, the end results in Dracula: Dead and Loving It include a sprinkling of amusements and one big belly laugh. Brooks and his writers use a very tight adaptation of Bram Stoker's novel, but the spoofs can be spelled out as we go, as if they are paint-by-number. Some are jabs at Coppola's version of Dracula, but most are attached to classic Dracula films. If any real pleasure comes from the movie it's thanks to the efforts of the cast. Peter MacNicol plays the crazed Renfield to the letter, Steven Weber has a good time as the tight Bri! tish Harkin, and Lysette Anthony charms as the doomed Lucy. Br! ooks and Nielsen ham it up just fine. There's even a surprisingly controlled performance by Harvey Korman (a character spoofing Anthony Hopkins's role in the misfire The Road to Wellville). As with Brooks's period comedies, the film looks better than it needs to and includes a few tricky special effects for good measure. This has nothing to do with the audience laughing--we need bigger jokes. And when you double over laughing in one scene--involving a stake through the heart and a bucket of blood--you want the movie to achieve Brooks's days of glory, when hearty laughter was the norm, not an isolated moment. --Doug Thomas

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Committed: A Love Story

• ISBN13: 9780143118701
• Condition: New
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All That She's Praying For by Committed

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The #1 New York Times bestselling follow-up to Eat, Pray, Love--an intimate and erudite celebration of love.

At the end of her memoir Eat, Pray, Love, Elizabeth Gilbert fell in love with Felipe, a Brazilian living in Indonesia. The couple swore eternal love, but also swore (as skittish divorce survivors) never to marry. However, providence intervened in the form of a U.S. government ultimatum: get married, or Felipe could never enter America again. Told with Gilbert's trademark humor and intelligence! , this fascinating meditation on compatibility and fidelity chronicles Gilbert's complex and sometimes frightening journey into second marriage, and will enthrall the millions of readers who made Eat, Pray, Love a number one bestseller.

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Believe In Me

• This inspirational tale follows a basketball coach as he is placed in charge of an all-female team for the first time. Format: DVD MOVIE Genre: CHILDREN Rating: NR Age: 018713523907 UPC: 018713523907 Manufacturer No: 05-52390

The true story of a young man whose dream of coaching boys' high school basketball are derailed when the school board assigns him to the girls' basketball team instead. The girls and the coach need to earn each other's trust, and despite the opposition fo the small conservative town, they learn how to play to win.

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Deep Rising

• A band of ruthless hijackers seize the most luxurious cruise in the world only to find that all the passengers have mysteriously disappeared, but they are not alone. Something is lurking behind every deck and passageway, snatching the intruders one by one! System Requirements: Starring: Jason Flemying, Anthony Heald, Djimon Hounsou, Famke Janssen, Derrick O Connor, Kevin J. O Connor, Wes Studi

Buckle up for edge-of-your seat excitement with the explosive hit DEEP RISING, an unstoppable high seas action thriller that moves at full scream ahead! When a band of ruthless hijackers invade the world's most luxurious cruise ship, they're shocked to discover the passengers have mysteriously vanished! But that doesn't mean they are alone! Something terrifying is lurking just out of sight: a deadly force from the unexplored depths of the ocean that begins to snatch the horrified intruders one by one! T! reat Willliams (THE DEVIL'S OWN) and sexy Famke Janssen (GOLDENEYE, ROUNDERS) lead a group of survivors who must overcome incredible odds in their breathtaking battle to escape the doomed ship alive!Following in the reptilian slime trail of Anaconda, this derivative monster movie from early 1998 plays like a cross between Titanic and Tremors, with parts of Aliens tossed in for good measure. Director Stephen Sommers couldn't recognize an original idea if it swallowed him whole--which, by the way, is exactly what happens to a lot of passengers on a luxury ship that is attacked by a giant serpent-like sea creature with a voracious appetite for human flesh. Treat Williams plays the leader of a mercenary crew whose members discover the ravaged ship and wage war on the creature; Famke Janssen joins him as an onboard thief and con artist who just happens to be highly skilled with automatic weapons. Of course, the action grows more intense as the body co! unt rises and along the way the monster is gradually revealed ! in all o f its gruesome glory. A guilty pleasure if ever there was one, Deep Rising arrived in theaters shortly after another waterlogged thriller, Hard Rain, and if nothing else it provides proof that the B-movie monsters of the 1950s are alive and well and as cheesy as ever in the age of digital special effects. --Jeff Shannon

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