Two Knotty Boys Showing You The Ropes: A Step-by-Step, Illustrated Guide for Tying Sensual and Decorative Rope Bondage

• ISBN13: 9781931160490
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

"A play of depth as well as dazzle, intensely moving as well as thought-provoking and funny." --The Daily Telegraph

An unruly bunch of bright, funny sixth-form (or senior) boys in a British boys' school are, as such boys will be, in pursuit of sex, sport, and a place at a good university, generally in that order. In all their efforts, they are helped and hindered, enlightened and bemused, by a maverick English teacher who seeks to broaden their horizons in sometimes undefined ways, and a young history teacher who questions the methods, as well as the aim, of their schooling. In The History Boys, Alan Bennett evokes the special period and place that! the sixth form represents in an English boy's life. In doing so, he raises--with gentle wit and pitch-perfect command of character--not only universal questions about the nature of history and how it is taught but also questions about the purpose of education today.

In celebration of the BSA's 100th anniversary, Boy Scouts of America: A Centennial History is the official and definitive history of one of our nation's most influential and cherished organizations. Packed with stories of service and heroism, and brought to life through more than 1000 images from the BSA's archive, this treasure trove of American history is a must-have for millions of scouts, alumni, volunteers, and anyone interested in the making of a timeless American tradition.

When Two Knotty Boys, Dan and J. D., began teaching rope bondage together in 1999, they discovered that most people learn best when they're shown â€" close up, step by step, and repeatedly â€" how to tie basic kn! ots and combine them into bondage techniques. It is this learn! ing proc ess that they duplicate in this book. With the help of world-renowned photographer Larry Utley, they use over 750 photos and captions to explicate the soup-to-nuts techniques for turning great knots into great bondage that is safe, sensual, attractive, and effective. Readers can learn at their own pace, review whole techniques at a single glance, or even lay it flat on the table (beside their blindfolded partner) and follow along as they tie. Two Knotty Boys Showing You the Ropes appeals to those interested in improving the quality of their sex lives, not to mention aficionados of bondage and discipline/sadomasochism (BDSM), both curious newcomers and serious players alike.

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Hoot

• ISBN13: 9780440419396
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A book for young readers. It involves new kids, bullies, alligators, eco-warriors, pancakes, and pint-sized owls. A hilarious
Floridian adventure!Roy Eberhardt is the new kid--again. This time around it's Trace Middle School in humid Coconut Grove, Florida. But it's still the same old routine: table by himself at lunch, no real friends, and thick-headed bullies like Dana Matherson pushing him around. But if it wasn't for Dana Matherson mashing his face against the school bus window that one day, he might never have seen the tow-headed running boy. And if he had never seen the running boy, he might never have met tall, tough, bully-beating Beatrice. And if he had never met Beatrice, he! might never have discovered the burrowing owls living in the lot on the corner of East Oriole Avenue. And if he had never discovered the owls, he probably would have missed out on the adventure of a lifetime. Apparently, bullies do serve a greater purpose in the scope of the universe. Because if it wasn't for Dana Matherson...

In his first novel for a younger audience, Carl Hiaasen (Basket Case, etc.) plunges readers right into the middle of an ecological mystery, made up of endangered miniature owls, the Mother Paula's All-American Pancake House scheduled to be built over their burrows, and the owls' unlikely allies--three middle school kids determined to beat the screwed-up adult system. Hiaasen's tongue is firmly in cheek as he successfully cuts his slapstick sense of humor down to kid-size. Sure to be a hoot, er, hit with middle school mystery fans. (Ages 10 to 15) --Jennifer Hubert

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Armored [Blu-ray]

• Condition: New
• Format: Blu-ray
• AC-3; Color; Dolby; Dubbed; Subtitled; Widescreen

A crew of officers at an armored transport security firm risk their lives when they embark on the ultimate heist.against their own company. Armed with a seemingly fool-proof plan, the men plan on making off with a fortune with harm to none. But when an unexpected witness interferes, the plan quickly unravels and all bets are off.A good cast does its best to make Armored roll, but while this heist flick certainly has its moments, it's ultimately arrested by a predictable story, cliché-ridden dialogue, and ham-fisted direction. Matt Dillon plays Mike, the leader of a sextet of guards working for an armored truck company; other members of the team are portrayed by Laurence Fishburne, Jean Reno, Skeet Ulrich, and Amaury Nolasco, but the key is newcomer Ty (Columbus Short), an Iraq War veteran ! whose parents have both died, leaving Ty to support his troubled younger brother and somehow pay the mortgage on the home their folks left behind. When Mike and the others cook up a scheme to steal a cool $42 million on their next delivery and then claim they were hijacked, Ty is dead set against it--until he goes home and is greeted by a child-welfare official who threatens to put his brother into foster care unless Ty can prove himself capable of looking after the kid (this is but one of the handy plot conveniences designed to push the story forward). Predictability is one thing, but director Nimrod Antal and screenwriter James V. Simpson's setups are so on-the-nose that Helen Keller could see what's coming ("Promise me nobody gets hurt," Ty says to Mike, which guarantees that the body count will start to mount almost instantly). Armored has some good action sequences, a gritty look, a couple of welcome surprises, and the occasional tense moment. But when the great! heist movies are recalled, from Topkapi to Sexy Bea! st, this one is unlikely to be among them. --Sam Graham


Stills from Armored (Click for larger image)

A crew of officers at an armored transport security firm risk their lives when they embark on the ultimate heist.against their own company. Armed with a seemingly fool-proof plan, the men plan on making off with a fortune with harm to none. But when an unexpected witness interferes, the plan quickly unravels and al! l bets are off.A good cast does its best to make Armored roll, but while this heist flick certainly has its moments, it's ultimately arrested by a predictable story, cliché-ridden dialogue, and ham-fisted direction. Matt Dillon plays Mike, the leader of a sextet of guards working for an armored truck company; other members of the team are portrayed by Laurence Fishburne, Jean Reno, Skeet Ulrich, and Amaury Nolasco, but the key is newcomer Ty (Columbus Short), an Iraq War veteran whose parents have both died, leaving Ty to support his troubled younger brother and somehow pay the mortgage on the home their folks left behind. When Mike and the others cook up a scheme to steal a cool $42 million on their next delivery and then claim they were hijacked, Ty is dead set against it--until he goes home and is greeted by a child-welfare official who threatens to put his brother into foster care unless Ty can prove himself capable of looking after the kid (this is but one of the handy plot conveniences designed to push the story forward). Predict! ability is one thing, but director Nimrod Antal and screenwriter James V. Simpson's setups are so on-the-nose that Helen Keller could see what's coming ("Promise me nobody gets hurt," Ty says to Mike, which guarantees that the body count will start to mount almost instantly). Armored has some good action sequences, a gritty look, a couple of welcome surprises, and the occasional tense moment. But when the great heist movies are recalled, from Topkapi to Sexy Beast, this one is unlikely to be among them. --Sam Graham


Stills from Armored (Click for larger image)

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Fast Food Nation: The Dark Side of the All-American Meal

• ISBN13: 9780060838584
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

Fast food has hastened the malling of our landscape, widened the chasm between rich and poor, fueled an epidemic of obesity, and propelled American cultural imperialism abroad. That's a lengthy list of charges, but Eric Schlosser makes them stick with an artful mix of first-rate reportage, wry wit, and careful reasoning.

Schlosser's myth-shattering survey stretches from California's subdivisions, where the business was born, to the industrial corridor along the New Jersey Turnpike, where many of fast food's flavors are concocted. Along the way, he unearths a trove of fascinating, unsettling truths -- from the unholy alliance between fast foo! d and Hollywood to the seismic changes the industry has wrought in food production, popular culture, and even real estate.

On any given day, one out of four Americans opts for a quick and cheap meal at a fast-food restaurant, without giving either its speed or its thriftiness a second thought. Fast food is so ubiquitous that it now seems as American, and harmless, as apple pie. But the industry's drive for consolidation, homogenization, and speed has radically transformed America's diet, landscape, economy, and workforce, often in insidiously destructive ways. Eric Schlosser, an award-winning journalist, opens his ambitious and ultimately devastating exposé with an introduction to the iconoclasts and high school dropouts, such as Harlan Sanders and the McDonald brothers, who first applied the principles of a factory assembly line to a commercial kitchen. Quickly, however, he moves behind the counter with the overworked and underpaid teenage workers, onto the factory far! ms where the potatoes and beef are grown, and into the slaught! erhouses run by giant meatpacking corporations. Schlosser wants you to know why those French fries taste so good (with a visit to the world's largest flavor company) and "what really lurks between those sesame-seed buns." Eater beware: forget your concerns about cholesterol, there is--literally--feces in your meat.

Schlosser's investigation reaches its frightening peak in the meatpacking plants as he reveals the almost complete lack of federal oversight of a seemingly lawless industry. His searing portrayal of the industry is disturbingly similar to Upton Sinclair's The Jungle, written in 1906: nightmare working conditions, union busting, and unsanitary practices that introduce E. coli and other pathogens into restaurants, public schools, and homes. Almost as disturbing is his description of how the industry "both feeds and feeds off the young," insinuating itself into all aspects of children's lives, even the pages of their school books, while leaving them pron! e to obesity and disease. Fortunately, Schlosser offers some eminently practical remedies. "Eating in the United States should no longer be a form of high-risk behavior," he writes. Where to begin? Ask yourself, is the true cost of having it "your way" really worth it? --Lesley Reed

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Holy Smokes (Aisling Grey, Guardian, Book 4)

• ISBN13: 9780451222541
• Condition: New
• Notes: BRAND NEW FROM PUBLISHER! 100% Satisfaction Guarantee. Tracking provided on most orders. Buy with Confidence! Millions of books sold!

A new Aisling Grey, Guardian, novel from the author of The Last of the Red-Hot Vampires

Drake Vireo, the green dragon of Aisling's dreams, is finally ready to make an honest woman of her-if she can ever get him to the altar. Being stood up cools Aisling's jets, but not her passion, which is a good thing when Drake disappears and it's up to Aisling to find him. At least her doggie demon Jim is always at her side. Just call him a Guardian's best friend.

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Choking Hazard T-Shirt - Large

• Officially Licensed Naughty Merchandise

Jorge is a morbidly shy Ecuadorian dishwasher toiling away in a shabby diner in Queens, New York. From his solitary kitchen corner, Jorge quietly attempts to forge a bond with Amy, the newly hired Chinese waitress, but even though she tries to reciprocate, the gulf that separates them may be too large. On the job he is continually tormented by a coworker, and at home, in his Harlem apartment, under the psychological control of his domineering "roommate," he battles his inner demons. Choking Man captures the feeling of claustrophobia and almost literal asphyxiation newcomers to America experience as they struggle to find a place and purpose in this strange land.

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Death Defying Acts

• During Harry Houdini's tour of Britain in 1926, the master escapologist enters into a passionate affair with a Scottish psychic. Format: DVD MOVIE Genre: DRAMA Rating: NR Age: 796019815512 UPC: 796019815512 Manufacturer No: 81551

Short Plays / Comedy / 2m, 3f / 3 ints. This long-running Off Broadway hit features the work of three gifted playwrights. David Mamet's AN INTERVIEW is an oblique, mystifying interrogation. A sleazy lawyer is forced to answer difficult questions and to admit the truth about his life and career. The why and where of the interrogation provide a surprise ending to this brilliant twenty minute comedy. In HOTLINE by Elaine May, a neurotic woman with enough urban angst to fill a neighborhood calls a suicide crisis hotline late one night. The counselor who gets the call is overwhelmed - it is his first night on the job. This dark and desperate, wildly funny forty mi! nute piece ends Act 1. A well to do psychiatrist has just discovered that her best friend is having an affair with her husband in Woody Allen's wildly comic second act, CENTRAL PARK WEST. She has invited the friend over for a confrontation after getting thoroughly soused. Meanwhile, the husband is about to run off with a college student. CENTRAL PARK WEST provides an hour of constant hilarity. "A wealth of laughter."-N.Y. Newsday "Lighter than air, an elegant diversion."-N.Y. TimesDuring Harry Houdini's tour of Britain in 1926, the master escapologist enters into a passionate affair with a Scottish psychic.

Stills from Death Defying Acts (Click for larger image)
Death Defying Acts would more aptly be titled Houdini’s Whirlwind Romance as it focuses less on the famed magician’s ski! lls and more on what kind of secret lovers he may have had. In this historical drama, ravishing con-artists, Mary McGarvie (Catherine Zeta-Jones), and daughter, Benji (Saoirse Ronan), play two sharp girls ready to take Houdini (Guy Pearce) for a ride. Set in 1920s Scotland, the plot centers on a contest Houdini hosts in Edinburgh to find a psychic medium who can channel his deceased mother. Mary, tired of pick-pocketing to stage fake magic shows, desperately wants Houdini’s $10,000 cash prize and auditions successfully for the role of (real) medium. From there, passions flare up as they negotiate how much of their magic is sheer trickery. Director Gillian Armstrong’s (Little Women) rendition of Houdini’s life depicts him as a regular joe struggling to convince his pragmatic business manager, Sugarman (Timothy Spall), that magic and science are connected. Scenes in which Houdini trains for and then tests his boundaries and skills during famous theater acts, are ! highly entertaining and well re-created. Scenes in which McGar! vie and her daughter read characters for clues to rig their paranormal hoaxes are equally well-done, and Zeta-Jones is gorgeous as a spiritualist. But when Mary and Houdini collide, their definitions of magic turn to mush through Hollywood translation, as something semi-equivocal to faith in love. This unfortunate injection of melodrama in an otherwise smart film cancels out its better parts. Do Houdini fans really want to see him, on screen, grappling with CG angels as he floats, straitjacketed, in his sealed water tank? I doubt it. Still, Death Defying Acts stars Houdini, which automatically makes for some fun. â€"Trinie Dalton

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Mezco Living Dead Dolls: Halloween II (2009) Michael Myers Doll

• Based on the new film
• Dressed in a film-specific costume
• Stands 10" tall
• Comes with bloody knife
• Window box packaging

Rob Zombie's H2 (Halloween) picks up at the exact moment that 2007's box-office smash, Halloween stopped and follows the aftermath of Michael Myers's (Tyler Mane) murderous rampage through the eyes of heroine Laurie Strode (Scout Taylor Compton). Evil has a new destiny. Michael Myers is back in this terrifying sequel to Rob Zombie’s visionary re-imagining of Halloween. It is that time of year again, and Michael Myers has returned home to sleepy Haddonfield, Illinois to take care of some unfinished family business. Unleashing a trail of terror that only horror master Zombie can, Myers will stop at nothing to! bring closure to the secrets of his twisted past. But the town's got an unlikely new hero, if they can only stay alive long enough to stop the unstoppable.Rocker turned writer-director Rob Zombie returns to the horror field with this visually ambitious and aggressively brutal follow-up to his 2007 reinvention of John Carpenter’s seminal slasher Halloween. The 1981 sequel to the Carpenter film is completely ignored here (and for good reason) in favor of an extension of the central focus of Zombie’s Halloween, and all of his films, for that matter: the corruption at the heart of the nuclear family. Here, Laurie Strode (Scout Taylor Compton) is attempting to heal the psychic wounds from her previous encounter with brother Michael Myers (Tyler Mane) by bonding with Sheriff Brackett (Brad Dourif, a pleasure to watch as always) and his daughter Anne (Danielle Harris, herself a vet from the original run of Halloween sequels). Her previous surrogate fa! ther, Dr. Loomis (Malcolm McDowell) has forsaken his connectio! n to Lau rie by exploiting his connection to Michael with a tell-all book; meanwhile, Michael himself roams the lonely outskirts of Haddonfield, driven by visions of his mother (Sheri Moon Zombie) and a single-minded urge to bond with his sister at any cost.

Aesthetically, H2 is striking, thanks largely to the ashen color scheme by cinematographer Brandon Trost (Crank 2: High Voltage), which underscores the doom-laded spiral track each of the main characters seem to travel in the film. And Zombie is to be commended for venturing outside of his comfort zone--the grimy, pop-culture ironic, white trash environment his characters frequently inhabit--with the scenes between Michael and his mother. But again, his ambitions don’t meet with his abilities--Moon looks impressive, but her apocalyptic mutterings ring more silly than spectral, especially when she’s forced to play opposite an enormous pale horse (insert heavy-handed Biblical imagery here). Most fans will fi! nd these moments more tedious than inspired, and a distraction from the murders, which retain Zombie’s preference for mayhem. He succeeds in this department, but if the end result is a menu of ugly killings, the point of revamping the Halloween franchise is somewhat moot, since the threadbare follow-ups to the Carpenter original already achieved that goal. Zombie’s knack for offbeat casting remains his most inspired talent: Haddonfield is filled with cult icons like Caroline Williams (Texas Chainsaw Massacre 2), Margot Kidder, and Daniel Roebuck, who jostle for space with rough-hewn character players like Duane Whitaker, Mark Boone Junior, and Dayton Callie (Deadwood) and left-field cameos by Howard Hesseman and “Weird Al” Yankovic. --Paul Gaita

Rob Zombie's H2 (Halloween) picks up at the exact moment that 20! 07's box-office smash, Halloween stopped and follows ! the afte rmath of Michael Myers's (Tyler Mane) murderous rampage through the eyes of heroine Laurie Strode (Scout Taylor Compton).

Evil has a new destiny. Michael Myers is back in this terrifying sequel to Rob Zombie’s visionary re-imagining of Halloween which grossed almost $80 million worldwide. It is that time of year again, and Michael Myers has returned home to sleepy Haddonfield, Illinois to take care of some unfinished family business. Unleashing a trail of terror that only horror master Zombie can, Myers will stop at nothing to bring closure to the secrets of his twisted past. But the town's got an unlikely new hero, if they can only stay alive long enough to stop the unstoppable.Rocker turned writer-director Rob Zombie returns to the horror field with this visually ambitious and aggressively brutal follow-up to his 2007 reinvention of John Carpenter’s seminal slasher Halloween. The 1981 sequel to the Carpenter film is completely ignored here (an! d for good reason) in favor of an extension of the central focus of Zombie’s Halloween, and all of his films, for that matter: the corruption at the heart of the nuclear family. Here, Laurie Strode (Scout Taylor Compton) is attempting to heal the psychic wounds from her previous encounter with brother Michael Myers (Tyler Mane) by bonding with Sheriff Brackett (Brad Dourif, a pleasure to watch as always) and his daughter Anne (Danielle Harris, herself a vet from the original run of Halloween sequels). Her previous surrogate father, Dr. Loomis (Malcolm McDowell) has forsaken his connection to Laurie by exploiting his connection to Michael with a tell-all book; meanwhile, Michael himself roams the lonely outskirts of Haddonfield, driven by visions of his mother (Sheri Moon Zombie) and a single-minded urge to bond with his sister at any cost.

Aesthetically, H2 is striking, thanks largely to the ashen color scheme by cinematographer Brandon Trost (Crank 2:! High Voltage), which underscores the doom-laded spiral tr! ack each of the main characters seem to travel in the film. And Zombie is to be commended for venturing outside of his comfort zone--the grimy, pop-culture ironic, white trash environment his characters frequently inhabit--with the scenes between Michael and his mother. But again, his ambitions don’t meet with his abilities--Moon looks impressive, but her apocalyptic mutterings ring more silly than spectral, especially when she’s forced to play opposite an enormous pale horse (insert heavy-handed Biblical imagery here). Most fans will find these moments more tedious than inspired, and a distraction from the murders, which retain Zombie’s preference for mayhem. He succeeds in this department, but if the end result is a menu of ugly killings, the point of revamping the Halloween franchise is somewhat moot, since the threadbare follow-ups to the Carpenter original already achieved that goal. Zombie’s knack for offbeat casting remains his most inspired talent: Haddonfield is fil! led with cult icons like Caroline Williams (Texas Chainsaw Massacre 2), Margot Kidder, and Daniel Roebuck, who jostle for space with rough-hewn character players like Duane Whitaker, Mark Boone Junior, and Dayton Callie (Deadwood) and left-field cameos by Howard Hesseman and “Weird Al” Yankovic. --Paul GaitaRob Zombie's H2 (Halloween) picks up at the exact moment that 2007's box-office smash, Halloween stopped and follows the aftermath of Michael Myers's (Tyler Mane) murderous rampage through the eyes of heroine Laurie Strode (Scout Taylor Compton).

Evil has a new destiny. Michael Myers is back in this terrifying sequel to Rob Zombie’s visionary re-imagining of Halloween which grossed almost $80 million worldwide. It is that time of year again, and Michael Myers has returned home to sleepy Haddonfie! ld, Illinois to take care of some unfinished family business. ! Unleashi ng a trail of terror that only horror master Zombie can, Myers will stop at nothing to bring closure to the secrets of his twisted past. But the town's got an unlikely new hero, if they can only stay alive long enough to stop the unstoppable.Rocker turned writer-director Rob Zombie returns to the horror field with this visually ambitious and aggressively brutal follow-up to his 2007 reinvention of John Carpenter’s seminal slasher Halloween. The 1981 sequel to the Carpenter film is completely ignored here (and for good reason) in favor of an extension of the central focus of Zombie’s Halloween, and all of his films, for that matter: the corruption at the heart of the nuclear family. Here, Laurie Strode (Scout Taylor Compton) is attempting to heal the psychic wounds from her previous encounter with brother Michael Myers (Tyler Mane) by bonding with Sheriff Brackett (Brad Dourif, a pleasure to watch as always) and his daughter Anne (Danielle Harris, her! self a vet from the original run of Halloween sequels). Her previous surrogate father, Dr. Loomis (Malcolm McDowell) has forsaken his connection to Laurie by exploiting his connection to Michael with a tell-all book; meanwhile, Michael himself roams the lonely outskirts of Haddonfield, driven by visions of his mother (Sheri Moon Zombie) and a single-minded urge to bond with his sister at any cost.

Aesthetically, H2 is striking, thanks largely to the ashen color scheme by cinematographer Brandon Trost (Crank 2: High Voltage), which underscores the doom-laded spiral track each of the main characters seem to travel in the film. And Zombie is to be commended for venturing outside of his comfort zone--the grimy, pop-culture ironic, white trash environment his characters frequently inhabit--with the scenes between Michael and his mother. But again, his ambitions don’t meet with his abilities--Moon looks impressive, but her apocalyptic mutterings ring more silly! than spectral, especially when she’s forced to play opposit! e an eno rmous pale horse (insert heavy-handed Biblical imagery here). Most fans will find these moments more tedious than inspired, and a distraction from the murders, which retain Zombie’s preference for mayhem. He succeeds in this department, but if the end result is a menu of ugly killings, the point of revamping the Halloween franchise is somewhat moot, since the threadbare follow-ups to the Carpenter original already achieved that goal. Zombie’s knack for offbeat casting remains his most inspired talent: Haddonfield is filled with cult icons like Caroline Williams (Texas Chainsaw Massacre 2), Margot Kidder, and Daniel Roebuck, who jostle for space with rough-hewn character players like Duane Whitaker, Mark Boone Junior, and Dayton Callie (Deadwood) and left-field cameos by Howard Hesseman and “Weird Al” Yankovic. --Paul GaitaLiving Dead Dolls Michael Myers Halloween 2 Doll

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Melissa & Doug Brianna - 12" Doll

• Brianna can suck her thumb or her included pacifier
• Lies down and sits up
• Removable two-piece outfit with embroidered heart and flower
• Sweet smelling, soft-bodied baby doll
• Exceptional Quality and value

Melissa & Doug Toys - 12" Doll. The perfect friend for your child! This is the ideal, sweet-smelling, first-born baby doll. Even the youngest mommy will love her sweet face and soft, cuddly body. Real moms will love her wipe-clean arms and legs! Jenna is "pretty in pink" from head to toe, in a removable, smocked onesie and matching cap. Her eyes open and close, and she can suck her thumb or her pacifier (included). Natalie has a sweet-smelling, soft body with wipe-clean arms and legs. She loves to be held, but can sit up "like a big girl" and suck her thumb or her pacifier (included). She comes in a charming, embroidered two-piece outfit that is removable for ! dressing and undressing fun, and has open-and-close eyes for realistic "baby play. Brianna is a sweet-smelling, soft-bodied baby doll, just waiting for a little mommy to love her! With her open-and-close eyes and shiny brunette hair, she comes in a removable two-piece outfit with a charming embroidered heart and flower. She can suck her thumb or her pacifier (included), lie down or sit up just like a real baby! Dimensions: 12.4" L x 7.2" W x 4.7" H Weight: 1.7 lbs.

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